Marketing Babylon

Life between form & meaning. Adventures in the transformation of marketing by communications, design & technology, meandering from theory to practice.

The mirror case

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So I remember this kid I used to know, and we’re talking mid 80′s, yes?

And this kid was 7, maybe less. And he had this thing, for years, when he’d walk up to the mirror and watch himself for a while, and he’ll make faces and concentrate, and then he’d start crying. With big, round, wet tears. Often he’ll be truly bawling.

All this time he’d be staring at his own reflection in the mirror, and I seem to remember him having this intense look. Like he was amplifying and looking through it the same time.

Like he was trying to understand.
Who is this kid?
Why is he crying?
Whose body is this?
Why is it crying?
Whose kid is he?
What do those “crying” signs mean?
Who do they belong to?
And so on…

So lately I’ve been thinking this kid was a pioneer. It seems a lot of kids are doing that these days.
Or maybe he wasn’t and they always had.
Anyway, for some reason, nowadays kids are often quite happy doing it.

And in London they say: jyouknowhaamean?

"Brand strategy reconstructed", a series of lectures at the London College of Communication

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I’ve been invited to lecture at the LCC, one of London’s finest creative education institutes.
Starting next Monday, I’ll be giving a series of six lectures/talks (with view to extend them if it all goes well) to postgraduate students across the different disciplines. This adventure was sparked by prof. Ian Noble while collaborating with his “Graphic Branding & Identity” students on a Brandinstinct pro-bono project.

I’ve always rejected the myth of the suits/creatives split. Have always maintained a common language between marketing, design and other media is important and empowering to everyone involved. Hopefully, I can introduce some useful concepts and break some myths.

(And in case it doesn’t come through: OMG!!!!1! I’m so bloody psyched about this!)

Brand strategy reconstructed
How marketing lost the plot
and how it might find meaning again

Marketing is a discipline in crisis. For the last decades it has become evident to practitioners and scholars alike that many of the trusted old methods were just not cutting it any more. Worse, it now seems some of them weren’t valid in the first place. This series of contemplative talks brings together ideas from narrative studies, semiotics and cultural theory to drive design thinking in solving the challenges of postmodern marketing. Numerous examples will be given from actual projects, popular culture and recent marketing cases.

The first six talks:

1. Marketing, meaning & decadence: an introduction to the sophistication of marketing sign-systems and their tendency to degenerate.
2. Suspicious minds: the myth of “a consumer subject”.
3. On branding and meaning: can a simplified theoretical tool-box cut through buzzwords and hype?
4. Advanced narrative marketing: the untold story of brand stories.
5. Marketing plots: cultural pattern-recognition as a strategic tool.
6. Embracing the mess: how clients and agencies are changing their work culture and methods to encourage more sustainable marketing strategies.

Mondays@17:00, Starting May 18th, excluding 25/5 (bank holiday) and 8/6 (prior obligation).

To my non-UK readers: London College of Communication, formerly London College of Printing, is the largest constituent College of the University of the Arts London, Europe’s largest university dedicated to art, communication, design and related technologies.
Two graduates Israeli readers will know are David Tartakover & Alex Livak.

Things which are everywhere

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Which way to go? (Rorschach Test Version) by Thomas Lieser Here are things that are everywhere according to Google. A side effect of working late on a talk about Marketing and meaning (like most of my talks are, as Life is always about something & meaning) taking place in Tel Aviv, this Tuesday, in Hebrew (otherwise it probably wouldn’t have been on Christmas eve):

Recovery, Java, Latency, Change, Art, RSS, Socialism, Elvis, Economics, Rotis, Analog, Location, Design, Snackr, Diversity, Violence, Prishtina, Enterprise search, Music, Elvis (again!), Prishtina (again), Matter (duh), The Pentagon (shiver), Elvis (lives!), Evolution, Ingrid Michaelson (lucky lady), Wildlife, Firefox, Elvis (never underestimate him ever again), Corruption.

End of page three, but it stays interesting.

There’s a web art installation waiting to happen here somewhere.

In the meantime – happy holidays and a happy new year.

 

 

 

 

 

 

 

(good night and good luck)

Marketing plots: The leader’s lament

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 Last time I talked about the generic trap loop. This time I want to talk about another generic trap, a “golden generic cage” of sorts. Another case where being successful brings with it the curse of becoming generic.

I’m fascinated by stories where leading brands become stuck in that generic spot everybody is trying to get out of. These are players who worked very hard to get to the top, only to discover they’re all pretty much the same up there.
As a consultant I really like working with challenger brands, but often find them trudging through a painful plateau, that is something quite depressing for a hard-working
over-achieving team.

This is a plot that repeats in highly competitive global categories, especially with big service oriented B2B companies. In these categories it is common to have hundreds if not thousands of global players, but there will usually be a group of leaders that tower among everyone else. They may be top-5 top-10 or top-50, it depends on the category, but they stand apart from all the rest.

When a brand enters this exclusive club a common mistake will be to get stuck on things that no longer matter for audiences:
“We’ve grown a lot in the last couple of years – nobody seems knows it. Let’s make more noise about how big and good we are.”.
News-flash: no one cares. Of course you’re big, that’s why you’re a top-X player. Thus, this fact becomes boring and irrelevant. Counter-intuitive, eh?

Read the rest of this entry »

Marketing plots: The generic loop trap complex

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On a recent project, that was very typical of this plot, I realised this was a reoccurring pattern, an almost disease-like condition, common especially among service brands.

The symptoms:
Your category’s brands all seem the same, they may be differentiated on the identity/communications level, but when you look at the actual perceptions (see brand vs. “brand”) of the target audiences, you find out that their perceptions are similar between competitors and pretty much correlate to the market-share of each player. It is an eerie feeling, as if no brand in the category stands for anything, even more so “owns” any positioning arena.

Epidemiology:
Common in markets where the brand experience in a category has been generic or dormant for very long – this could be due to lack of competition, or any other type of stagnation. It can also happen regardless of product innovation, because product innovation may stay purely functional if brands don’t differentiate.
I’ve found it is extremely common in emerging markets, where often many service categories used to be government owned or just heavily regulated.  A condition increasing the likelihood of this syndrome is when players try to adopt “best practices” from other markets instead of coming up with the meaningful moves necessary to shift image in their own market.

Microbiology:
The tacit structure is simple. People’s perception of their experiences is poor, and their expectations are low – so they don’t think players in the category stand for anything.
They will only switch brands on extreme negatives (e.g. a health crisis or gross-misconduct leading to a full scale public image crisis).
If you talk to them using focus groups or interviews, people in “trapped categories” will mostly talk about their fears / anger with relation to the brand experience. If you try to tap them for ideas, they will articulate their ambitions as the removal of negatives.

Roughly, in these situations, you will find customers in qualitative research divide into two groups: “Weak customers”, from marginal segments talk mainly about fears. Form the please stop the pain group.
“Strong customers”, from sought-after and courted segments, will vent their anger about all players in the category. This the go be stupid somewhere else group.

Ignoring this condition triggers the “generic loop complex”, which very simply works like this:

  1. A brand’s category is largely generic
  2. The company discover that the category, their brand included, is generic.
  3. They turn to the customer for answers.
  4. The customers can only speak of their generic experiences
  5. The company bases any vision or “new” concept this input, mistakenly labelling it as  “customer insight”, or it borrows undifferentiated best practices from other markets as its home audience requirements seem generic.
  6. Managers come up with generic briefs ; Agencies with generic solutions
  7. Go to 1.

Treatment:
You have to be brave.
Look inside for answers. Another focus group just won’t do. Take a hard look at the company and realise what made this brand get so far. Then build on your best qualities. Start to communicate what you wish to stand for. Your audience can not tell you what the break-through experience should be, simply because they have never experienced it. Trying to force them into giving you an answer will just make things worse.
Only you can find what it all means.
If you want to make sense of your world, MAKE it.
Sense is made, rarely found.
Facts are found, stories are created.

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